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Full text of "Byzantine Churches In Constantinople"

xiv       THE CHURCH OF S. SAVIOUR PANTEPOPTES       215
much built up, still displays the design which occurs so frequently in Byzantine churches, namely, three windows in the lunette of the arch (the central light rising higher than the sidelights), and three stilted arches below the vaulting string-course, resting on two columns and containing three windows which are carried down to a breastwork of carved marble slabs between the columns. The floor of the church is paved with square red bricks, except in the apses, where marble is employed. The gynecaeum, above the inner narthex, is divided into three bays separated by broad transverse arches. The central bay, which is larger than its companions, is covered with a dome vault, and looks into the body of the church through a fine triple arcade in the lunette of the western arm of the cross. The smaller bays are covered with cross-groined vaults. As elsewhere, the vaulting-string in the gynecaeum is decorated with carved work. The inner narthex, like the gynecaeum above it, is divided into three bays covered with cross-groined vaults, and communicates with the church, as usual, by three doors. Its walls seem to have been formerly revetted with marble. In the northern wall is a door, now closed, which gave access to a building beyond that side of the church. The exonarthex is also divided in three bays, separated by transverse arches, and communicates with the inner narthex by three doors and with the outer world by a single door situated in the central bay. That bay has a low dome without windows, while the lateral bays have groined vaults. Turkish repairs show in the pilasters and the pointed arches which support the original transverse arches. The doors throughout the building are framed in marble jambs and lintels, adorned in most cases with a running ornament and crosses. In the case of the doors of the exonarthex a red marble, breche rouge, is employed, as in the exonarthex of the Pantokrator, another erection of the Comnenian period. On the exterior the building is much damaged, but nevertheless preserves traces of considerable elaboration. The walls are of brick, intermixed with courses of stone, and on the three sides of the central apse there are remains of patterned brickwork. On the buttresses